Japan is known for many things—spectacular food, Satoshi nakamoto shirt beautiful temples, high-speed trains, and a welcoming culture—but fashion certainly tops the list. So when I visited for the first time a few weeks ago, I was eager to drink up all the street style around the major cities. While all of Japan is incredibly chic, Tokyo, specifically, boasts a standout street style (it’s no surprise given it’s the biggest city with influential fashion neighborhoods like Shibuya and Harajuku). It’s also a haven for vintage shopping, with entire streets lined with incredible stores filled with treasures from the past. That effortlessly cool style mixed with the electric city energy against the backdrop of neon lights was exactly the style inspiration I had been craving. So needless to say I had my fashion-editor cap on while exploring Tokyo, taking note of what all the most stylish Japanese people were wearing. While Tokyo style is quite directional and people have their unique styles, I did notice a few trends many people were incorporating into their wardrobes in interesting ways. From an emerging outerwear silhouette to a statement accessory color, below are the four fashion trends I saw all over the streets of Tokyo. Tokyo style really leans into the use of accessories, incorporating unexpected colors and textures in unique ways, but metallic pieces specifically are having a moment. Whether it’s a silver bag or bold earring, metallic accessories are punctuating the coolest looks.
Satoshi nakamoto shirt, hoodie, sweater, longsleeve and ladies t-shirt
The spring/summer 2024 showcase was set against an uncertain economic and political backdrop, Satoshi nakamoto shirt which may have led many designers to approach their collections with extra consideration. The customer has become more mindful too, further aware of their consumption and the downright privilege that it is to be a consumer right now. Yes, there will always be an appetite to shop, but there is a deliberate attempt to be less ostentatious about it (read: there will be far fewer logos this season). Of the trends, many carried on from previous seasons, not just the last. In addition to what Page observed above, from the palette to the prints down to finer details such as jewellery, big bags and ballet flats, it felt like we’d seen much of it all before, but this time with a renewed appeal. No big leaps were made—which is good in terms of our bank balances and wardrobes—and our editors were able to envision themselves wearing much of what they saw in their daily lives. Let’s hear it for the wide-leg trousers!. The more directional trends we did see were there to spark joy at a time when it felt like it might have been in short supply. There was a celebration of colour throughout, which could have quite easily taken over this entire trend report. Red continues to dominate, with Hermès’ designs acting as a stoic antithesis to the candy-pop looks that lined the Versace, Prada and Eudon Choi runways. There was shimmer but with a shakeup; silhouettes were stronger and the overall sweetness was distilled. Florals, for spring? They’ll never be groundbreaking, but with seismic petal proportions and blooms that jump off the toile they’re delicately attached to, there’s new life to be found in the trend that we assumed we’d seen everything from.
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