One of the biggest French style clichés is that it centers around muted hues, but that’s not the case. Poster Dave Matthews Band Show In Tampa Florida On May 22nd 2024 At Midflorida Credit Union Amphotheatre shirt In fact, I’m seeing more and more Gallic girls embracing the saturated shades that were so prevalent on the spring/summer 2022 runways. Case in point: Caroline’s tangerine tailoring, which she has paired with classic black and white separates and accessories to ensure her two-piece looks polished. Observation: French women love to wear crop tops. Be it with jeans, a midi skirt, or, in this instance, trending wide-leg trousers, crop tops keep cropping up in French outfits, from Paris to the Amalfi. Though they’re usually associated with after-dark dressing, Douvina gives hers a downtime spin with a pair of canvas trainers (even if they are Dior). With another standout look from Cannes involving a crop top, white trousers, and trainers, suffice it to say that Esha and Douvina have crafted their very own Cannes uniform. The best part? It is so easy to copy and paste into your own outfit repertoire. Honing her outfit with expensive-looking colors, Kun’s get-up is what I expected from Cannes—elevated and chic—but with a twist. From her cropped shirt to her pleated skirt and kicks, she masterfully ticks off three major Y2K trends in one, all while making her outfit feel premium with the addition of a timeless handbag and a Vivienne Westwood Orb Necklace. Magnifique!

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Having analysed the spring/summer 2024 fashion trends for months now (literally), Poster Dave Matthews Band Show In Tampa Florida On May 22nd 2024 At Midflorida Credit Union Amphotheatre shirt I’m here to tell you about the ones that are genuinely wearable and will truly affect your wardrobe for the next six months (and beyond, if I have anything to do with it). There’s a lot to talk about for S/S 24, but this hasn’t always been the catwalk way. If all the world’s a stage, Fashion Month has long been the costume cupboard—a trove of froth and tulle, sparkle and glitter designed to catch the eye and hold it. A dressing-up box that, although delightful and entertaining to lose yourself in, doesn’t always hold up in reality. This isn’t necessarily a bad thing—we could all use some fabulous escapism from time to time—but, ultimately, when you venture out from the sanctity of your wardrobe, you need to be able to live in these creations. At least in the physical realm—we’ll get into the virtual later. For spring/summer 2024, I have to applaud designers for creating collections that, yes, hold beauty, but also have a place in the everyday. But first, let’s travel back to September and October of last year and reflect on how things unfolded. Across the four fashion capitals—New York, London, Milan and Paris—a total of 299 designers showcased their collections, 19 new to the Fashion Month circuit, compared to 247 for spring/summer 2023 (credit to the fashion data analysts at Tagwalk for doing these calculations). Growth is a good thing, especially in creative industries, but I found this hard to believe, personally. Off the top of my head, I can think of a handful of designers who couldn’t secure budget to show, or whose brands were lost to greater financial struggles (I still can’t move on from the Christopher Kane-shaped hole that permeated the London schedule). With growth always comes change, and perhaps one of the biggest this season came in the form of a renunciation. Alexander McQueen’s Creative Director Sarah Burton announced that the spring/summer 2024 collection would be her last after 26 years at the brand. Burton had respectfully taken the helm after the British institution’s iconic and groundbreaking founder Lee Alexander McQueen passed away in 2010, with her subsequent collections serving as a love letter to his influence and precociousness. Cate Blanchett attended, Naomi Campbell walked and a standing ovation rang out during the final, tender moments of Paris Fashion Week.