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All around the world, Racist & gullible & petty & stupid & smells bad shirt people love, live, and breathe fashion; it has no boundaries. But there are specific cities that are known for being fashion hubs. It’s impossible to deny the influence of the street style scene in Paris, Hong Kong, and Copenhagen, but New York City’s fashion set has always been at the forefront of trends. Just look at the receipts: the championing of the Bushwick Birkin before it was a global phenomenon or the plethora of emerging fashion brands that call NYC home. Love it or hate it, if a trend can make it in this city, it can make it anywhere. So since we want to know which fall trends are worth adopting, we have to take it to the streets and pick the minds and mood boards of New York’s most fashionable residents. Ahead, 18 stylish women share which NYC fall fashion trends they’re backing and skipping this season. I’m most excited about saturation! It’s about time we brought some color back into our closets, and there are incredible designers that are making bold statements and showcasing the proper way to do it. In terms of what I’ll be skipping, I’ll most likely take a back seat to the “carry it all” trend. If I have an enormous bag, then I’ll try to fit my entire apartment inside of it. I’m looking forward to seeing more crochet bucket hats. Every single one I’ve seen has so much personality, and I’m excited for accessories to make a solid comeback.

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Adrien Sauvage has always used his native home of Ghana as a sphere of creative freedom; Racist & gullible & petty & stupid & smells bad shirt most notably seen in the photographic story he embarked on for his S/S11 Black Volta collection. This has undoubtably meant that each collection encompasses a notion of truth, not often seen within the fashion sector. For his latest collection the designer has utilised the, ‘Asafo’, print as a main point of reference to create pieces of cultural and stylistic integrity. The print itself references Sauvage’s native Fante tribe, and pays homage to the local fishing community of the cape coast. The Asafo print has both a political and personal message for Sauvage – and is an integral part of both Ghanian history and his own personal story.