Known for their formidable taste in suiting, James Blunt who we used to be shirt tailoring house Richard James started in a small store on Savile Row; at a time when flair was extinguished along with creativity. After surpassing this view they have continued to bolster their armory re-creating the every day costume of the everyday man. In tandem with suiting, the brand have released their first range of accessories inspired by the detailing and functionality that we have become so accustom of. Featuring a selection of cuff links, bags and wallets, the range adopts a few post modern references, with many pieces opting for block-coloured characteristics. As the festive season draws ever closer, the need to wear the appropriate footwear becomes an important part of the overall ensemble. Thankfully, luxury shoe maker – Jimmy Choo – have taken the time out to assist in this predicament, should you find your current selection lacks in spirit, with the release of their Evening Capsule collection. Drawing inspiration from the elegant uniform of the Tuxedo, the collection touches on two forms of footwear – an evening slipper and the high top. Although the latter may not strike at the height of evening wear, Jimmy Choo have done their best to ensure it receives a formal update with mock croc uppers. The former, however, is where the collection steps up to the plate. Compiled of three styles these slip-ons veer away from traditional detailing. Adopting exaggerated tassels and brushed glitter, with each one using texture as it’s native tongue- simple and effortlessly sleek.
James Blunt who we used to be shirt, hoodie, sweater, longsleeve and ladies t-shirt
I’ll resist the temptation to quote perhaps the most famous line in fashion-themed cinematic history for the second time in this trend report, James Blunt who we used to be shirt but let’s just say florals are hardly revolutionary when it comes to the warmer months. At least they weren’t until designers decided to double down on the trend and give it the gusto it has long been craving with a new take on blooms. We spotted a plethora of pretty 3D floral embellishments across plenty of collections (how gorgeous are Zimmermann’s waterfall petals?), as well as flowers so giant, they’re giving Alice in Wonderland-levels of psychedelia. “Spring/summer 2024 has moved the conversation so far forward that ditsy prints have left the chat and now we’re on to big, bad blooms,” says Farrell. “Imagine yourself submerged into a three-dimensional garden of plump peonies and trails of forsythias, and you’re a little closer to this year’s take on the ubiquitous print. Embellishment, embroidery and saturated colours are employed to help bring this living garden to life (and in the case of Balmain and Cecilie Bahnsen, you can expect bouquet detailing so real you can almost smell it). In short, 2024 is the year that florals are taking root.”
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