Known for his strong use of fabrication and colour, The Awakening Tour 2024 Casting Crowns We The Kingdom Mac Powell Katy Nichole Terrain David Leonard Performance Schedule T-shirt Jonathan Saunders has proved that men need not fear the backlash of strong shades. Using his expertise in precision cutting and wise patterning he has conjured up another sweltering collection consisting of finest attributes. Set in the backdrop of Elms Lester’s painting room the collection was awash with dashes of yellows, forest greens and ocean blues. Those of which stood out most within the soft open air, seamlessly blending together, the designers furious use of pattern. It was this very element that was the most touching, within the simpler use of pinstripe lay the more complex use of dots. Laid out in a spectrum of shades, the inspiration for this for this was Op artist Victor Vasarely who was famous for using the symbols in his many pieces of work. They almost helped bolster the under layers of looks – honey comb texturing suddenly felt more vibrant, as did the circular shades. This was a stride towards the future – belted coats with aromatic finishes teamed up with fine knits in a display of sheer craft and exuberance.
The Awakening Tour 2024 Casting Crowns We The Kingdom Mac Powell Katy Nichole Terrain David Leonard Performance Schedule T-shirt, hoodie, sweater, longsleeve and ladies t-shirt
The spring/summer 2024 showcase was set against an uncertain economic and political backdrop, The Awakening Tour 2024 Casting Crowns We The Kingdom Mac Powell Katy Nichole Terrain David Leonard Performance Schedule T-shirt which may have led many designers to approach their collections with extra consideration. The customer has become more mindful too, further aware of their consumption and the downright privilege that it is to be a consumer right now. Yes, there will always be an appetite to shop, but there is a deliberate attempt to be less ostentatious about it (read: there will be far fewer logos this season). Of the trends, many carried on from previous seasons, not just the last. In addition to what Page observed above, from the palette to the prints down to finer details such as jewellery, big bags and ballet flats, it felt like we’d seen much of it all before, but this time with a renewed appeal. No big leaps were made—which is good in terms of our bank balances and wardrobes—and our editors were able to envision themselves wearing much of what they saw in their daily lives. Let’s hear it for the wide-leg trousers!. The more directional trends we did see were there to spark joy at a time when it felt like it might have been in short supply. There was a celebration of colour throughout, which could have quite easily taken over this entire trend report. Red continues to dominate, with Hermès’ designs acting as a stoic antithesis to the candy-pop looks that lined the Versace, Prada and Eudon Choi runways. There was shimmer but with a shakeup; silhouettes were stronger and the overall sweetness was distilled. Florals, for spring? They’ll never be groundbreaking, but with seismic petal proportions and blooms that jump off the toile they’re delicately attached to, there’s new life to be found in the trend that we assumed we’d seen everything from.
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