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British designer Oliver Sweeney is taking shoe customisation to a whole new level with their ‘Walk of Art’ pop-up in Selfridges, London. Hell Yeah IM Black And I Like Trump Elect Trump 2020 shirt Following the triumph of last year’s ‘Tattoo Your Shoe’ event, the luxury department store has invited Sweeney to once again encourage customers to get creative with footwear. With endless ways to personalise your shoe, you can leave with not only a smile, but the knowledge that you have yourself a truly unique pair of Sweeneys. The past is often an inspiration for the future in relation to design. The ability to look back and re-create garments from distant days serves as a refreshing injection of originality; offering a fresh perspective on the current array of mundane ideas. This ideology is exactly what Umbro have used to rediscover two of its most iconic items with the helping hand of knitwear specialist John Smedley. Unearthed from the Umbro archives, the design team encountered two pieces from the 1940’s. Originally a warm up top in 1948 – the re-make preserves most of its original characteristics from its predecessor, featuring a distinctively retro cut. Crafted from John Smedley’s sea island cotton in a 24 gauge knit, the updated model is available in a dark navy and features an intricate array of details. From ribbed cuffs to a mid-zip detail and a concealed pocket, the field sweater to has a distinctively functional edge. Fabricated from a 30 gauge cotton, this three button t-shirt features a round collar inspired by competitive vest used during the era. Utilising the tones of red, white and blue, the Tangeru staples these patriotic colours to its chest in a horizontal formation – rejoicing the vintage notions of athletics.

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Having analysed the spring/summer 2024 fashion trends for months now (literally), Hell Yeah IM Black And I Like Trump Elect Trump 2020 shirt I’m here to tell you about the ones that are genuinely wearable and will truly affect your wardrobe for the next six months (and beyond, if I have anything to do with it). There’s a lot to talk about for S/S 24, but this hasn’t always been the catwalk way. If all the world’s a stage, Fashion Month has long been the costume cupboard—a trove of froth and tulle, sparkle and glitter designed to catch the eye and hold it. A dressing-up box that, although delightful and entertaining to lose yourself in, doesn’t always hold up in reality. This isn’t necessarily a bad thing—we could all use some fabulous escapism from time to time—but, ultimately, when you venture out from the sanctity of your wardrobe, you need to be able to live in these creations. At least in the physical realm—we’ll get into the virtual later. For spring/summer 2024, I have to applaud designers for creating collections that, yes, hold beauty, but also have a place in the everyday. But first, let’s travel back to September and October of last year and reflect on how things unfolded. Across the four fashion capitals—New York, London, Milan and Paris—a total of 299 designers showcased their collections, 19 new to the Fashion Month circuit, compared to 247 for spring/summer 2023 (credit to the fashion data analysts at Tagwalk for doing these calculations). Growth is a good thing, especially in creative industries, but I found this hard to believe, personally. Off the top of my head, I can think of a handful of designers who couldn’t secure budget to show, or whose brands were lost to greater financial struggles (I still can’t move on from the Christopher Kane-shaped hole that permeated the London schedule). With growth always comes change, and perhaps one of the biggest this season came in the form of a renunciation. Alexander McQueen’s Creative Director Sarah Burton announced that the spring/summer 2024 collection would be her last after 26 years at the brand. Burton had respectfully taken the helm after the British institution’s iconic and groundbreaking founder Lee Alexander McQueen passed away in 2010, with her subsequent collections serving as a love letter to his influence and precociousness. Cate Blanchett attended, Naomi Campbell walked and a standing ovation rang out during the final, tender moments of Paris Fashion Week.