As London Collections: Dilf dude I love ty France shirt Men drew to a close we were all treated to a musically enthused show by Nutters of Savile Row x Peter Werth at the Café de Paris, Leicester Square. These 70’s institutions came together to produce an exclusive collection after independently undertaking wardrobe design and production work for the upcoming feature film, “Northern Soul”. Prominent components of the collection include roped shoulders and oversized lapels with wide legged trousers. These bold heritage looks have been updated nicely using unstructured tailoring in a contemporary cut, suited to today’s man. Knitwear offers homage to Savile Row by incorporating hounds tooth, windowpane and over scaled Prince of Wales check designs.There was a positively genius turn to the show, when dancers from the movie came out as models and delighting us with a few dance floor tricks. This is collaboration has energy and passion worthy of honouring the founders of both brands.

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The spring/summer 2024 showcase was set against an uncertain economic and political backdrop, Dilf dude I love ty France shirt which may have led many designers to approach their collections with extra consideration. The customer has become more mindful too, further aware of their consumption and the downright privilege that it is to be a consumer right now. Yes, there will always be an appetite to shop, but there is a deliberate attempt to be less ostentatious about it (read: there will be far fewer logos this season). Of the trends, many carried on from previous seasons, not just the last. In addition to what Page observed above, from the palette to the prints down to finer details such as jewellery, big bags and ballet flats, it felt like we’d seen much of it all before, but this time with a renewed appeal. No big leaps were made—which is good in terms of our bank balances and wardrobes—and our editors were able to envision themselves wearing much of what they saw in their daily lives. Let’s hear it for the wide-leg trousers!. The more directional trends we did see were there to spark joy at a time when it felt like it might have been in short supply. There was a celebration of colour throughout, which could have quite easily taken over this entire trend report. Red continues to dominate, with Hermès’ designs acting as a stoic antithesis to the candy-pop looks that lined the Versace, Prada and Eudon Choi runways. There was shimmer but with a shakeup; silhouettes were stronger and the overall sweetness was distilled. Florals, for spring? They’ll never be groundbreaking, but with seismic petal proportions and blooms that jump off the toile they’re delicately attached to, there’s new life to be found in the trend that we assumed we’d seen everything from.