George Clooney I Love Joe Biden. But We Need a New Nominee. T-Shirt

I’m in no way athletically inclined George Clooney I Love Joe Biden. But We Need a New Nominee. T-Shirt (something my P.E. teacher will still back up to this day), but now I can finally feel part of the team as sporting stripes—the sort seen in rugby, cricket and other ball sports (I assume)—ran throughout the collections. All of fashion will agree that Dries Van Noten did it best by way of lounge pants and minidresses, whilst Victoria Beckham took the knitted approach with a sweater. A pre-kick-off moment for Gucci’s new Jackie bag offering, too, which collectors will be batting one another out of the way to get their hands on. “Across the board, brands are retiring streamlined stripes for something a little more playful,” says Munro. “Tapping into the sporty side of the print, the colourful trend is a refreshing retort to the past season’s obsession with a quieter palette. Styling well with easy denim and basic tees, these wearable stripes are set to transcend the runways in 2024.”. “Casual daywear has a preppy new mood as designers reimagined the classic polo and rugby shirts,” confirms Wiggins. “Our edit for S/S 24 has grown by 48% vs. last year and offers a variety of options, from Sacai’s pleated polo dress to Dries Van Noten’s colourful, oversized rugby shirts. For a modern take, style with sequins, as seen at 16Arlington.”

George Clooney I Love Joe Biden. But We Need a New Nominee. T-Shirt, hoodie, sweater, longsleeve and ladies t-shirt

Having analysed the spring/summer 2024 fashion trends for months now (literally), George Clooney I Love Joe Biden. But We Need a New Nominee. T-Shirt I’m here to tell you about the ones that are genuinely wearable and will truly affect your wardrobe for the next six months (and beyond, if I have anything to do with it). There’s a lot to talk about for S/S 24, but this hasn’t always been the catwalk way. If all the world’s a stage, Fashion Month has long been the costume cupboard—a trove of froth and tulle, sparkle and glitter designed to catch the eye and hold it. A dressing-up box that, although delightful and entertaining to lose yourself in, doesn’t always hold up in reality. This isn’t necessarily a bad thing—we could all use some fabulous escapism from time to time—but, ultimately, when you venture out from the sanctity of your wardrobe, you need to be able to live in these creations. At least in the physical realm—we’ll get into the virtual later. For spring/summer 2024, I have to applaud designers for creating collections that, yes, hold beauty, but also have a place in the everyday. But first, let’s travel back to September and October of last year and reflect on how things unfolded. Across the four fashion capitals—New York, London, Milan and Paris—a total of 299 designers showcased their collections, 19 new to the Fashion Month circuit, compared to 247 for spring/summer 2023 (credit to the fashion data analysts at Tagwalk for doing these calculations). Growth is a good thing, especially in creative industries, but I found this hard to believe, personally. Off the top of my head, I can think of a handful of designers who couldn’t secure budget to show, or whose brands were lost to greater financial struggles (I still can’t move on from the Christopher Kane-shaped hole that permeated the London schedule). With growth always comes change, and perhaps one of the biggest this season came in the form of a renunciation. Alexander McQueen’s Creative Director Sarah Burton announced that the spring/summer 2024 collection would be her last after 26 years at the brand. Burton had respectfully taken the helm after the British institution’s iconic and groundbreaking founder Lee Alexander McQueen passed away in 2010, with her subsequent collections serving as a love letter to his influence and precociousness. Cate Blanchett attended, Naomi Campbell walked and a standing ovation rang out during the final, tender moments of Paris Fashion Week.