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Call me biased, but I believe that only a few elite cities in the world determine what’s cool in every aspect of culture—fashion included. Just A Woman Who Loves Hers Wally the Green Monster Mascot Boston Red Sox Shirt For some, that city happens to be New York. Others are rightfully infatuated with Paris. But another capital that is always low-key ahead of the curb is Copenhagen. As someone lucky enough to travel to all of them, I can tell you there’s something particularly cool about Copenhagen. You could attribute it to the city’s budding food scene or unique hotels, but for me, it all comes back to fashion. With an expanding creative scene that has some of the buzziest brands of the moment, the city is cementing itself as a fashion capital in its own right. The style inspiration doesn’t stop at the runway, as some of the best street style looks for the entirety of fashion month can be found on the Scandinavian style set. That might seem like a wild statement, but after scouring hundreds of street style images, I’ve got the receipts to prove it. Ahead, you’ll see some of the best street style looks from Copenhagen Fashion Week for fall/winter 2024. I also figured it wouldn’t hurt to call out the seven biggest fashion trends from this season (with shopping recommendations), especially considering that they’ll likely be coming to a zip code near you. If these looks don’t convince you that Copenhagen is a fashion capital, then the eventual adoption of these trends surely will.

Just A Woman Who Loves Hers Wally the Green Monster Mascot Boston Red Sox Shirt, hoodie, sweater, longsleeve and ladies t-shirt

The spring/summer 2024 showcase was set against an uncertain economic and political backdrop, Just A Woman Who Loves Hers Wally the Green Monster Mascot Boston Red Sox Shirt which may have led many designers to approach their collections with extra consideration. The customer has become more mindful too, further aware of their consumption and the downright privilege that it is to be a consumer right now. Yes, there will always be an appetite to shop, but there is a deliberate attempt to be less ostentatious about it (read: there will be far fewer logos this season). Of the trends, many carried on from previous seasons, not just the last. In addition to what Page observed above, from the palette to the prints down to finer details such as jewellery, big bags and ballet flats, it felt like we’d seen much of it all before, but this time with a renewed appeal. No big leaps were made—which is good in terms of our bank balances and wardrobes—and our editors were able to envision themselves wearing much of what they saw in their daily lives. Let’s hear it for the wide-leg trousers!. The more directional trends we did see were there to spark joy at a time when it felt like it might have been in short supply. There was a celebration of colour throughout, which could have quite easily taken over this entire trend report. Red continues to dominate, with Hermès’ designs acting as a stoic antithesis to the candy-pop looks that lined the Versace, Prada and Eudon Choi runways. There was shimmer but with a shakeup; silhouettes were stronger and the overall sweetness was distilled. Florals, for spring? They’ll never be groundbreaking, but with seismic petal proportions and blooms that jump off the toile they’re delicately attached to, there’s new life to be found in the trend that we assumed we’d seen everything from.